Music Production And Mixing Tips & Tricks

Why is a pro recording expert? What is the “noise” the pros get and how can you make your recordings sound more professional?

The simple answer is there’s no simple answer. However, with careful listening and a little experience you can create exceptional results with little equipment.

Great mixing starts ear

Anyone? It is your ears! Sorry to tell you that, but adhering to ten hours Rave at 110dB can do nothing to get them and you might as well give your mix to a turtle as attempt to combine with ears that are straightened.

Listen to commercial records of mixes you like, analyse them listen for the ramifications and get to understand what constitutes the sort of sound you are after.

Mixing secrets

There is no hidden key to getting a fantastic sound, but when we needed to sum up the secret of mixing in two words it would be that - EQ and compression. Okay Production Sound Mixer is just three words.

These are likely the two most important tools used by professional producers. However, like any gear, if you don’t understand how to use them you’ll be dividing Habitat tables rather than Chippendale chairs.

That is where your ears and experience come in. Here we’ve assembled some manufacturing ideas, suggestions, tips and tricks but they can just be guidelines and need to be adapted to match your own material. There are no presets you are able to change in to make a bad recording sound good. And if your original material was badly recorded not even Abbey Road could salvage your own mix. But follow these suggestions and find out just how much your mixes improve.

Get the degree right

You can’t push the amounts when recording digitally as possible when recording to tape but you still want to have as much sign into the machine as possible. This means watching the levels very carefully for clipping, and recording in an even and continuous level.

Some recording software lets you monitor and set the input level from within. Some expect you to use the soundcard’s mixer while some have no centre for internally adjusting the input and expect one to place this at source.


Your ears are just as great as the tracks they pay to. DO NOT hope to produce a good, pro mixture on tiny computer speakers.

Oddly enough, you do not necessarily need the most expensive Mic. Many leading artists use what some may call “average” Mics cause they work well and get the business done. You are able to spend a wad onto a huge diaphragm capacitor Mic (yes, they are great for vocals) in case you have the lolly but test out dynamic Mics that are much more affordable and may be turned to several tasks.

Mixing MIDI and sound

Among the wonderful things about computer-based recording is that the components can so readily be altered, processed and edited.

Audio recordings are usually guitar and acoustic devices such as the sax and vocals. Incidentally, the very best way to capture guitars is by sticking a Mic facing its speakers. You can DI them and process them later and this might be cleaner but for a natural guitar sound that a Miced amp is difficult to beat.

It is not necessary to record drums reside and, in reality, it’s hard to do and retain a contemporary sound. The quality of the equipment which makes drum noises these days is such that anybody with a good riff can sound like a professional.